RelationshipsJuly 21, 2009 9:00 am

Each day in my house is a Five Act Play, I joke to my friends. I have not scripted it, am out by Act II, Scene II and reenter in Act IV, Scene V. It is a different play every day and I am the She - Hamlet pondering on the virtues of solitude and seclusion. I wonder if I am in a soliloquy or a monologue, as interestingly I am the only audience as well as the almost absentee protagonist.

My life at times gets crowded as does the home I live. There are times when many relatives visit and to help me manage I have an army of people – cook, domestic help, drivers, care givers - who with great camaraderie share the space I inhabit. As they do their chores and keep a track of what I am doing, where I am going, what my son is up to and when he has come home, they also catch up with each other cheerfully enquiring and exchanging gossips. 

I leave my house for work, somewhere in the beginning of Act II, as my cook is chatting with the domestic help and I return back home in the evening, by the end of Act IV, to hear her  talk loudly on the mobile phone. Just as I enter, she informs the person on the other end that I have returned. So the person at the other end enters the orbit of our shared existence because my cook begins narrating to me episodes from that person’s life.

RelationshipsFebruary 11, 2009 8:44 am

Did I write that my parijatham plant put out flowers at the right time? On certain days there were so many flowers that I strung them together and offered the garland to the gods. On other days I placed the flowers on the pedestal of the Buddha, that my husband got for me from Sri Lanka. On certain days there were large and beautiful flowers, the ivory hued petals furled out regally, yet on other days the flowers were small, famished, too bored to bother about putting up a spectacle. I knew that this was not something that I had to consult my gardener about. I was touched at what my plant had set out to do for me. 

My parijatham as the readers of my blog know, has become a symbol of my son. My son is in Grade 10, he is in a crucial phase when he would have to decide about the direction of his life. In a heart rending manner the plant has picked my fears and anxieties regarding my son’s readiness to choose the path of his interest and passion. By laying out beautiful flowers in abundance and all through the season the plant taught me a lesson in faith, that faith opens doors that nothing else can, that faith can make beauty unfold in ways unimaginable. The blossoms have annulled my doubts and fears and they have taught me in an inexplicable way to have faith in my son, and above all never to lose faith in myself, in all that I have given to my son all these years.  

Even after the season the plant continues to put out a clutch of flowers every day out of solidarity. I hug the plant every evening, my son who understands the importance of the plant in my life stands by me as I hug the plant.

Relationships, PassionOctober 12, 2008 4:08 pm

My Queen of Sheba vine, commonly called the Zimbabwe creeper, whose Botanical name is Podranea brycei, faded away gradually, the leaves first wilted, the stem then began brittle, the last to go was the hardy pink flowers. The creeper had been among the earliest plants that I brought to my garden from the Horticulture Society. Without any fuss it established itself in my garden , bearing flowers almost through the year. I had trained the shrub on a  trellis very close to my dining room from where I step out into the terrace. So every day as I sat to sip my tea at the table, my eyes rested on the flowers and the creeper that had a certain poise as it grew on one side of the trellis while the large part of the trellis  was occupied by the Rangoon creeper/ Madhu Malathi.

The cascade of pink flowers that hung at the end of the stems soothed me on tumultuous days, lending a permanent pink foliage to my garden. The flowers were trumpet shaped with a pale throat that had tender down of hairs. The flowers exhibited a strong and calming presence, it resisted an existence independent of the vine. I had tried floating the flowers on water, though the flowers remained fresh for a couple of days, they appeared  listless. I stopped moving the flowers away from the vine since then.

I had been away at Hosur for a couple of days; before I left, I had watered the plants and stayed at the garden for more than an hour pruning away the dried jasmines and ixoras, training the vethalai kodi onto the sunshade and wondering why the water in the pot of tuber roses took inordinately long time to drain away. My Queen of Sheba vine had never at any point been a cause of concern. On days that I missed watering the plants for a day, when other plants drooped their leaves, Podranea brycei’s pinnate leaves stood fresh.

Although the pink presence of the flower permeated my consciousness, I never had to spend time near the vine, it found its way even when it was a young plant, it never was lost like my clittoria vine that hung helplessly sending out tendrils in search of support even when I  dedicated an exclusive frame for it.

The jasmine vines  needed a separate trellis, Indian spinach hounded other plants from its trellis, Madhu Malathi sulked and produced odourless flowers when I had it along with Kodi sampangi though the latter was companionable and not aggressive at all. For sometime Madhu Malathi had been sharing the trellis with Queen of Sheba vine, the latter kept its place to one side while Madhu Malathi has been spilling all over and like a spoilt child hadn’t cared to put out a single bunch of flower though all the Madhu Malathis in the city have filled the nights with their strong fragrance. But I always have a brood of these difficult and rebellious plants, I love them nonetheless.

The Queen was doing perfect when I left for Hosur, regally reigning from her corner of the garden. My domestic help watered the plants when I was away and my gardener came the Sunday that I was away and might have seen the plant dying. He left the plant after clearing away the dried leaves from the pot. He had dug and loosened the soil. I haven’t met him since, and I have seen the plant slowly dying away. I have no clue why it died. I will wait for him to do the honours for the queen. He will clear the pot and keep the pot away with the soil in memory of the plant. The corner that the vine occupied all these days in my mind will remain empty, losing a plant that has been part of my life is much like losing a very dear one.

Memories, RelationshipsSeptember 19, 2008 3:46 pm

Today Malaya tarpanam was performed by my brother for my parents. I felt the fragrance of their presence close to me the whole day. I went to Vasanth Vihar, J. Krishnamurthy Foundation and spent an hour there. As I sat at the Study, leafing through a book and intermittently looking at the large tamarind tree from the window, I thought that people who are very close remain connected across realms of life and death. We never really let go people we are fond of.

Our tradition makes us believe that we walk in the shadows of our ancestors. I invoke my parents and my grandparents during prayer time every day, besides remembering them several times through the day. Similarly my son pauses and remembers my parents before he leaves for school everyday. They go to make the pantheon of our  personal gods.

A Note On Malaya Paksham

We perform certain karmas to remember and honour our ancestors, as ancestors along with the devas and gods go to fill the landscape of our belief system. We perform two types of kaaryas – the deva kaaryas and the pithru kaaryas. The first is performed through bhakthi by way of homams and yagaas; the second is performed with shraddha , and hence called shrardam or tarpanam. Tarpanam is performed on the ammavasai day of every month, the shraddam is performed annually on the thithi of the deceased (the father or the mother). Tarpanam is performed on another occasion too, during the period of Malaya Paksham.

Malaya Paksham is the fortnight after the paurnami, the period when the moon wanes, in the month of Purattasi. This period  is also called the Pithru Paksham because we offer tarpanams for deceased parents and to all the ancestors.

Memories, Relationships, HistorySeptember 2, 2008 9:14 am

The more I gather details about my family history, the seven siblings of my mother’s grandmother and the seven siblings of my mother’s grand father, I find myself drawn deeper in the mire of relationships, loose ends that need to be routed to some path somewhere that I have to painstakingly unearth not through the easy means of calling up an uncle here, an aunt there. The uncovered  branches, the partial details, the contradictory references by two different people to certain details, the facts that had not been put to verification over all the years emerge tantalizingly before me as I hastily write down in my diary the questions that want to scale the gaps and crease out contradictions. It is then that I realize that I have to carry the darkness within me, write about them and accept that at no point in the chronicling will I have clarity over everything because I am dealing with history, history created through memory and partial remembering – partial because there are not people to narrate all the facets of the story, and partial also because we choose to forget certain things.

Memories, Relationships, HistoryAugust 22, 2008 3:06 pm

Whenever my mother started in this manner, “My mother’s father had seven siblings and my mother’s mother had seven siblings,” I fled from the place. Just a few days ago my uncle, my mother’s younger brother, said that when they were children every other day several first and second cousins of his mother with their families dropped in at their Pelathope residence in Mylapore. My grandmother had many half brothers whom she called as her brothers, cousins whom she called brothers; ironically she did not have a single straight brother or sister whom she shared her mother’s womb with. I thought being a single child makes life simple, but certainly not in the case of my grandmother as my mother and uncle had me understand!  

My uncle recalled how he and his siblings constantly asked my grandmother to help them understand how the uncles, aunts, cousins were related. At a simplistic level that the children naively initially mistook as the end all of cognition, she traced the straight forward and immediate way in which she was related to all the people who dropped in with their families; at a tormenting level she explained how the cousin’s/ uncle’s wife was related in other ways as well. No relationship ran a single way, there were crisscrosses – an aunt was related to an uncle even before marriage through a brother’s wife or a sister’s husband or an aunt’s sister-in-law. Or she teased her children’s  young and tender brains further by adding how the cousin’s wife was also her sister’s sister-in-law’s husband’s uncle’s daughter. 

To understand theses labyrinthine pathways of blood and relationships called for an alert mind that processed the data and assigned it to slots, the slots that were  permeable and punctured several times with conduits of alliances  to such an extent that these slots were defined not by its exclusiveness but by these jabs that rerouted blood pathways. 

I presume there was not a dull moment in the lives of my mother and her siblings with the constant influx of brothers (?!), aunts and uncles into their Mylapore home that served as a hub for all those people coming from Mayavaram, Edakudi, Kumbakonam, Karur  and several other places in Thanjavur jilla where an uncle was a mirajdar,  an aunt had been taken as a bride from or where a cousin had been married into.

Memories, Relationships, HistoryAugust 6, 2008 5:00 am

I can talk now, tell the story of my parents. I can write of the guilt I feel now of having been so absorbed in my own world that I never knew what my mother went through at the death of her parents, at the passing away of her younger brother and on losing another brother to schizophrenia. 

Looking back now, after nearly two decades, my mother then would have been as old as I am now. I pick my memory to reconstruct my mother’s life at that time.   I wade through the deep sea of childhood memories to cast light on the relationships in her life that mattered so much to her, at the losses that pained and paralysed her. 

Memories of my grandfather’s home concretize in my mind, the memories are that of a small and young girl. The memories of a twelve something girl is seen through the sensibility of the adult that I am now. This might be a step away from truth as my consciousness penetrates through a different time and this has made me in fact two different individuals – a child that saw and a woman that wants to immortalize her mother by fleshing her out in different relationships, in seeing her life crisscross several lives.

This exercise is also largely to exorcise the guilt I experience that I perceived my mother selfishly only in relation to me, in relation to my emotional wants and needs. The sun shone brightly on me, as a small and young girl,  through the  dappled leaves as I felt my mother’s care and love nourish me. But, the corner of my mind always registered her joys, her pains and her agonies. All this, I hope to establish by unearthing memories that I had not acknowledged before. 

So my exercise now is to hold the flashlight away from me, at all the people who were close to my mother, at my memory of the events that did not necessarily have to do with me, at the warm corners in my grandfather’s home where my mother grew and whose images I am certain she carried vividly till the day of her death.

RelationshipsDecember 5, 2007 10:45 am

My parijatham plant is recalcitrant, dragging its feet to put out the blossoms of the year. The plant reminds me so much of my son who is entering his teens; the plant too appears to be in young adulthood with its own character and preferences. The plant did not want to be huddled with marudhani on one side and the golden oleander on the other side. I did not want to pamper it, but somehow it was getting sullen and refused healthy growth. It was given its share of attention through the year from me and from my gardener, still the plant felt left behind.

One morning I found a flower, from far it appeared like a jasmine, but the translucent red stem reflected the sun. I knew it was a parijatham flower. I wondered where it came from, I knew my plant was sulking there was no way that it would put out such a beautiful flower, I looked up and saw that the flower had fallen from my neighbour’s garden. I groaned at the uncanny repetition of an incident from my childhood, except that I do not have my grandmother’s patience and compassion.

The next Sunday I waited for my gardener, told him about the flowers from my neighbour’s garden and expressed concern that the winter would pass by and our dear plant may forget that it can blossom. My gardener belongs to the breed that illustrious people like my grandmother come from. He asked me not to worry and told that there is still enough time left for the plant to bear flowers.

I wanted to take no chances, I told my gardener so. With his help I moved the plant to the centre of the terrace, moved the aloe vera and asparagus to keep it company. I put a tall bamboo stick in the middle of the pot, bunched the slouching branches, and fastened it to the stick.

My plant immediately cheered up, the leaves perked up; it enjoyed the attention it was receiving. It stood tall and beautiful. Within a few days my plant showed tells tale signs of budding, the shoots had a fuzz of life. The plant is in no hurry, it is taking its own time like my son who seems to be following his own clock. Being a worrying mother I try to urge him to take the world on, anxious that a winter will pass by. Nevertheless, like my parijatham plant in all its glory my son too will blossom. It is just that I have a world to learn from my grandmother and my gardener.

Culture, Relationships, HistoryOctober 18, 2006 1:48 pm

I visited the Raj Ghat with my husband and son on October 3rd. We handed over our slippers at the counter for safekeeping and paid one rupee for each pair. There were racks where you could leave your slippers without paying money. I observed that many opted to do that. Near the shoe rack, on a marble slab are inscribed Gandhi’s words. I read it aloud as my son listened. It said that every thought and action of ours should bring a change in the lives of the poorest of the poor. We went in and stood before the Samadhi. There were not too many visitors, there was a family standing before the samadhi and posing for a photograph, a group of men languidly stretched on the freshly watered lawn, a group of workers were dismantling the stage set for musicians and bhajan singers, rolls of white bedsheets and bolsters were heaped – the October sun on the white linen stung our eyes.

These were the many distractions that I had to tide over while I tried thinking what Gandhi means to me now and how I can take this man across to my 13 year old son. I did not want a history class with him. There were several one liners that I had directed at him during the times he got addicted to action movies and thought that power and strength were only of the physical kind. I used Mahatma Gandhi as an illustration of my point ‘True strength lies in forgiving and letting go’, ‘A great war can be won without raising your little finger’ - there were punch lines that I created and chanted like slogans when he got back home after boxing someone’s ears. I knew these were very simplistic and told myself several times that I would present the complexities involved in any struggle like the one Gandhi spearheaded, once my son grew up. So when my son got carried away with Sylvester Stallones and Arnold Scwhazeneggers I introduced him to Richard Attenborough’s movie ‘Gandhi’.

When I saw the film with my son I realised how much I had underestimated his power to critically reflect. When he saw the scene where Gandhi compels Kasturi ba to clean the toilet my son observed, “So Gandhi’s wife refused to support him.” He was upset that Kasturi ba had to be forced, Gandhi’s sudden burst of anger that was shown in the film went against his understanding of Gandhi. He at once saw that Gandhi was also coercing Kasturiba at a very subtle level by making her do what she loathed from the bottom of her heart. That made him uncomfortable about Gandhi.

On seeing the film he was surprised that freedom struggle involved so much blood shed despite the fact that Gandhi was involved in it. He had believed that Gandhi delivered the goods for Indians and that he carried on his frail shoulders the fate of our country. He learnt that Gandhi was not in total control and that there were forces that were beyond his control. And that non-violence and non cooperation did not always yield positive result.

As a sole historiographer of India’s struggle for freedom in my son’s home education process and in my keenness to use Gandhi for a personal agenda I had caused enough damage and have been unfair to true historical thinking.

I recollected that Mahatma Gandhi was like family to me when I was my son’s age. I grew up hearing how my grand father was a Gandhian, how my father’s cousin wore Khadi as a protest, my father waited as a young boy at the Kumbakonam railway station to see Gandhi who was travelling past the town. I was strongly advised to read Gandhi’s autobiography, large tracks of it was narrated as stories when I was barely a toddler – especially the episode of Gandhi refusing to take the help of his teacher to spell right as it amounted to cheating the School Inspector, and the story of Harish chandra came en route Gandhi. I grew to feel pride at the legacy of Nehru and Gandhi; my opinions of critical political events were influenced by this. I grew to believe that Hindu-Muslim conflict broke Gandhi and the Indo-China war ruined Nehru. A great sense of tragedy accompanied such knowledge. My understanding of colonial and post colonial history was embedded in the common sense discourse of the middle class Hindu milieu that I hail from. The trite history texts in fact remained independent of the rich narrative that I acquired otherwise. I did not have the tools to critically read these narratives till I came to college. The teenage phase of defiantly declaiming the past should not be accounted for.

At Raj Ghat I had read to my son Gandhi’s words with a voice filled with passion. As I stood on the lawns I told myself that I should not sell Gandhi, my son can find Gandhi on his own. So as we stepped out to wear our slippers I read the same words with a controlled voice and placed Gandhi for my son to analyse and understand in the way he deems fit. Two generations away, distanced by time and with the shadow cast by the specific historical period paling away, for an adolescent Gandhi is no more a name invoked by an anxious mother driving home a point about ahimsa. I have observed my son sift certain rudimentary tools to analyse historical events, I might offer him simple frames of class, caste and class to understand Gandhi. Any suggestions?